Following a battle with the genius-villain Brainiac, Superman discovers the unthinkable: A small piece of his native planet, Krypton. Even stranger, there are Kryptonian survivors on this chunk of Krypton. Stranger still: This Kryptonian city of Kandor has been shrunk and preserved in a bottle. This is an old tale to long-time Superman fans. The new twist is that in this new graphic-novel collection, Superman is able to bring Kandor back to its normal size. Celebration is followed by confusion when Earth’s humans and these last Kryptonians cannot get along. And Superman is caught between two worlds: The world of his birth and the world that adopted him. This hardcover edition collects several past “Superman” issues, several artists, and the writing talents of Geoff Johns and James Robinson. “New Krypton” is a fascinating new look at an old Superman/Supergirl plot point.
'COMICS'
SUPERMAN: NEW KRYPTON Vol. 1
May 14th, 2009 · No Comments
BORIS KARLOFF TALES OF MYSTERY
May 8th, 2009 · No Comments
Several comic books took a cue from the success of television’s “Twilight Zone” in the 1960s. Several titles, even a Rod Serling’s “Twilight Zone” series, were dedicated to an anthology format aimed at suspense and a shock ending. Gold Key Comics was one such publisher. One Gold Key title was “Boris Karloff Tales of Mystery.” Yes, Boris Karloff: The actor who made Frankenstein’s monster an iconic cinematic character, star of “The Mummy” and numerous other classic horror movies. He was also the Grinch’s voice in the beloved Christmas cartoon. Karloff’s name and face graced each issue of this fine series, which featured legendary comic book artists and writers: Alex Toth, Joe Orlando, Frank Thorne, Jose Luis Garcia-Lopez, Len Wein, and more. Recalling these comics from childhood, they were eerie fare. Now, it’s just plain creepy fun flipping through the pages of this Dark Horse compilation of several of the original issues. It’s been decades since Gold Key went out of business, and this is the first time these stories have seen the light of day with exception of rare comic book stores, or garage-sale comics collections - Gold Key titles haven’t exactly proven to be collector’s items. Dark Horse continues presenting original titles while mining past treasures in reprint as well as new directions for old, long-lost characters. “Boris Karloff” is the unearthing of a fine old treasure made new again.
Too much information, Wolverine - Does an origin ruin a three-decades-old mystery?
April 30th, 2009 · No Comments
For movie-goers, Wolverine is Hugh Jackman: The star of three past “X-Men” movies and “X-Men Origins: Wolverine” opening May 1. Considering Wolverine led to Jackman’s becoming a star and that Wolverine is the first X-Man to get his own movie, the movie-watching general public understands what comic-book readers have known for three decades: Wolverine has star power.
But can Wolverine survive the spotlight on his past?
For years since Wolverine was first introduced as a filler combatant in an issue of “The Incredible Hulk” to his rise to stardom in “The Uncanny X-Men” to his star turns in his own titles, etc., part of the character’s allure was that readers knew little about him. Or at least readers lacked a cohesive view of his past. In many ways, we knew more about him than most comic book characters.
Readers learned almost nothing about him on his first appearance. He pops up at the end of “The Incredible Hulk” No. 180 following a battle between the Hulk and a Bigfoot-like Wendigo in Canada. In 181, Wolverine and Wendigo battle the Hulk. In this issue, readers learn Wolverine is tough, works for the Canadian government, has razor-steel claws, and a penchant for wearing a blue-and-yellow striped costume.
Other than that, readers learn nothing more about Wolverine. No other name. No glimpse of the face behind the mask. Nothing. And he disappears as one of many odd characters introduced to battle the Hulk during this era of “The Incredible Hulk’s” 1970s history.
However, a few years later, when writer Chris Claremont revamped the X-Men as an international team of mutants, he included Wolverine as one of the new teammates.
In the “X-Men,” Wolverine was a murderous wild card. His fellow X-Men did not trust him.
Readers learned that the claws seen in the “Hulk” are not attached to his gloves but pop out of his hands from casings inside his arms. Readers learned his entire skeleton is coated with an unbreakable steel called adamantium. Wolverine’s mutant power is a healing ability that allows him to recover from almost anything. Early, it is also suggested, his mutant powers include an almost feral ability to track and hunt. He is strong but short especially compared with the towering statures of his fellow superheroes.
If he is a superhero … At first, Wolverine is an ultimate anti-hero. Unlike most superheroes, Wolverine is a trained killer. He is filled with rage set off as smart-aleck remarks in conversation, a berserker’s violence in battle. As a few issues of “X-Men” pass, it is often suggested that Wolverine is many years old, but no one knows how many.
He gets a name, just one, Logan. Beneath his mask is an unforgettable face of swooping, nearly quill-like hair and mutton chops. No one knew much about his past. Not the readers, not his fellow X-Men, not even Wolverine himself. Nor the creators for that matter. Soon, the creators would thrive on this element of Wolverine mystery.
But first, Wolverine received a soul. Though a murderous character, Wolverine’s fan base grew, but it leapt into the stratosphere of fandom during a four-part Wolverine miniseries, featuring writer Chris Claremont and artist Frank Miller. The miniseries gave a glimpse into part of Wolverine’s past: He’d once been an operative in Japan. During a past X-Men adventure, he’d fallen for a woman in Japan. In the miniseries, he tried winning her love, and revealed a character who was the best at what he does but one who must fight his animal urges to be the best that he can be.
This miniseries secured Wolverine’s place as one of Marvel’s top assets. Wolverine was the favorite character in “X-Men,” the best-selling comic book in the world back in the late ’70s and throughout the ’80s. Wolverine’s popularity rivaled that of Marvel’s Spider-Man, Hulk, and any other character. He appeared in guest spots in more comics, more mini-series and graphic novels, and by the late ’80s had his own monthly title in addition to everything else.
Even with all of this over-exposure, the mystery behind Wolverine’s past continued. Every potential revelation raised more questions. For example, he had a connection with his feral arch-enemy Sabretooth: Did this connection mean that Sabretooth was Wolverine’s father? Brother? Fellow operative?
Or Logan met Captain America in World War II. If Wolverine was an adult in World War II, then just how old is he? Was he older than that?
X-Men arch-nemesis Magneto sapped the metal from Wolverine’s bones. It had always been assumed that the claws were additions to Logan’s arsenal when he received the steel skeleton. But with the metal gone, readers learned Wolverine had bone claws that popped out of his hands.
Comics legend Barry Windsor Smith presented “Weapon X,” the story of scientists lacing Logan’s bones with adamantium, but that story raised the questions of whether Wolverine volunteered for the process or was captured and forced into it?
The mysteries were a compelling component to Wolverine’s character, and these questions continued until the first “X-Men” movie.
With the first movie a success, and part of its storyline being Wolverine having no memories of his past, Marvel knew Hollywood would contrive an origin for Wolverine. Instead of allowing that to happen, Marvel decided it would present Wolverine’s origins. Unlike most characters, however, one origin story wouldn’t do it. Not even one miniseries. For Wolverine, Marvel created a series of origin story arcs which have slowly answered the questions raised through the decades.
The movie appears to rely heavily on many elements from both the Origin series as well as other facets of Wolverine revealed through the years. Will too much information ruin Wolverine?
It has a bit within the comics, but then again 30-some years will do that to any character. With the movie, we’ll know soon enough.
SPIDER-MAN #600
April 30th, 2009 · No Comments
There are and have been numerous “Spider-Man” titles through the years, but it was “Amazing Spider-Man” that first gave Peter Parker and his web-slinging alter-ego his first regular monthly comic book. “Amazing Spider-Man” came after the memorable Spider-Man filler placed in the final issue of “Amazing Adult Fantasy.” Spider-Man was supposed to be a throwaway character. The only place creator Stan Lee could place this strange, new superhero was in that final issue of a dying comic book. Some throwaway? Now, more than 40 years later, dozens of titles, cartoons, merchandise, a daily comic strip, a television show, and blockbuster movies, the flagship of “Spider-Man” comics, “Amazing Spider-Man,” rushes upon its 600th issue. Happy Birthday, Spider-Man. It’s been an amazing ride.
THE FLASH: REBIRTH
April 24th, 2009 · No Comments
About 25 years ago, DC Comics killed off Barry Allen, the modern-day Flash. That doesn’t mean the Flash died. Through the years, several characters have worn the familiar red-and-yellow suit with its lightning-bolt chest logo and belt, along with the winged mask and boots. At times, keeping up with who was the Flash has been figuratively like trying to keep up with the super-speed of the Flash. It is that who’s who continuity confusion that keeps the latest Flash mini-series, “The Flash: Rebirth,” from being an absolutely enjoyable read. This first issue spends so much time trying to identify all of the Flashes, from the pre-Barry Allen Justice Society Flash to Kid Flash, etc., that it’s confusing and trips up the narrative. This mini-series is supposed to be about the return of Barry Allen, the character who to generations of fans was THE Flash. Instead of being dead, Allen was trapped in the Speed Force, the “extra-dimensional lightning” that powers all of these super-speedster Flashes. Escaping the Speed Force, Barry Allen has returned to the world. See, an exciting storyline! With all of these introductions and explanations of the first issue out of the way, perhaps the second issue will better by allowing Barry Allen’s story to unfold. Yet, DC should look at the unnecessary confusion of this story as a lesson concerning Bruce Wayne and Batman. DC has recently excised Bruce Wayne from Batman. Now, various Robins past and present along with others are fighting for the right to be Batman. Eventually, someone else will likely be Batman. The Flash should show DC the error of its ways. This whole loss of Barry Allen has only created a generation of confusion for the character of The Flash, and Allen has now returned many years later. Hopefully, DC will resolve its whole Batman mess sooner rather than later so that readers 20-some years from now aren’t completely confused as to what and whom Batman is.




