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Too much information, Wolverine - Does an origin ruin a three-decades-old mystery?

April 30th, 2009 · No Comments

By Dean Poling
VDT View

For movie-goers, Wolverine is Hugh Jackman: The star of three past “X-Men” movies and “X-Men Origins: Wolverine” opening May 1. Considering Wolverine led to Jackman’s becoming a star and that Wolverine is the first X-Man to get his own movie, the movie-watching general public understands what comic-book readers have known for three decades: Wolverine has star power.
But can Wolverine survive the spotlight on his past?
For years since Wolverine was first introduced as a filler combatant in an issue of “The Incredible Hulk” to his rise to stardom in “The Uncanny X-Men” to his star turns in his own titles, etc., part of the character’s allure was that readers knew little about him. Or at least readers lacked a cohesive view of his past. In many ways, we knew more about him than most comic book characters.
Readers learned almost nothing about him on his first appearance. He pops up at the end of “The Incredible Hulk” No. 180 following a battle between the Hulk and a Bigfoot-like Wendigo in Canada. In 181, Wolverine and Wendigo battle the Hulk. In this issue, readers learn Wolverine is tough, works for the Canadian government, has razor-steel claws, and a penchant for wearing a blue-and-yellow striped costume.
Other than that, readers learn nothing more about Wolverine. No other name. No glimpse of the face behind the mask. Nothing. And he disappears as one of many odd characters introduced to battle the Hulk during this era of “The Incredible Hulk’s” 1970s history.
However, a few years later, when writer Chris Claremont revamped the X-Men as an international team of mutants, he included Wolverine as one of the new teammates.
In the “X-Men,” Wolverine was a murderous wild card. His fellow X-Men did not trust him.
Readers learned that the claws seen in the “Hulk” are not attached to his gloves but pop out of his hands from casings inside his arms. Readers learned his entire skeleton is coated with an unbreakable steel called adamantium. Wolverine’s mutant power is a healing ability that allows him to recover from almost anything. Early, it is also suggested, his mutant powers include an almost feral ability to track and hunt. He is strong but short especially compared with the towering statures of his fellow superheroes.
If he is a superhero … At first, Wolverine is an ultimate anti-hero. Unlike most superheroes, Wolverine is a trained killer. He is filled with rage set off as smart-aleck remarks in conversation, a berserker’s violence in battle. As a few issues of “X-Men” pass, it is often suggested that Wolverine is many years old, but no one knows how many.
He gets a name, just one, Logan. Beneath his mask is an unforgettable face of swooping, nearly quill-like hair and mutton chops. No one knew much about his past. Not the readers, not his fellow X-Men, not even Wolverine himself. Nor the creators for that matter. Soon, the creators would thrive on this element of Wolverine mystery.
But first, Wolverine received a soul. Though a murderous character, Wolverine’s fan base grew, but it leapt into the stratosphere of fandom during a four-part Wolverine miniseries, featuring writer Chris Claremont and artist Frank Miller. The miniseries gave a glimpse into part of Wolverine’s past: He’d once been an operative in Japan. During a past X-Men adventure, he’d fallen for a woman in Japan. In the miniseries, he tried winning her love, and revealed a character who was the best at what he does but one who must fight his animal urges to be the best that he can be.
This miniseries secured Wolverine’s place as one of Marvel’s top assets. Wolverine was the favorite character in “X-Men,” the best-selling comic book in the world back in the late ’70s and throughout the ’80s. Wolverine’s popularity rivaled that of Marvel’s Spider-Man, Hulk, and any other character. He appeared in guest spots in more comics, more mini-series and graphic novels, and by the late ’80s had his own monthly title in addition to everything else.
Even with all of this over-exposure, the mystery behind Wolverine’s past continued. Every potential revelation raised more questions. For example, he had a connection with his feral arch-enemy Sabretooth: Did this connection mean that Sabretooth was Wolverine’s father? Brother? Fellow operative?
Or Logan met Captain America in World War II. If Wolverine was an adult in World War II, then just how old is he? Was he older than that?
X-Men arch-nemesis Magneto sapped the metal from Wolverine’s bones. It had always been assumed that the claws were additions to Logan’s arsenal when he received the steel skeleton. But with the metal gone, readers learned Wolverine had bone claws that popped out of his hands.
Comics legend Barry Windsor Smith presented “Weapon X,” the story of scientists lacing Logan’s bones with adamantium, but that story raised the questions of whether Wolverine volunteered for the process or was captured and forced into it?
The mysteries were a compelling component to Wolverine’s character, and these questions continued until the first “X-Men” movie.
With the first movie a success, and part of its storyline being Wolverine having no memories of his past, Marvel knew Hollywood would contrive an origin for Wolverine. Instead of allowing that to happen, Marvel decided it would present Wolverine’s origins. Unlike most characters, however, one origin story wouldn’t do it. Not even one miniseries. For Wolverine, Marvel created a series of origin story arcs which have slowly answered the questions raised through the decades.
The movie appears to rely heavily on many elements from both the Origin series as well as other facets of Wolverine revealed through the years. Will too much information ruin Wolverine?
It has a bit within the comics, but then again 30-some years will do that to any character. With the movie, we’ll know soon enough.

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NEW YORK RENDEZVOUS: Irene Atman & PURPLE BUTTERFLY: Daniela Schachter

April 30th, 2009 · No Comments

By Dean Poling
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Two new CDs featuring strong female jazz vocalists are due for release June 1. Fans of torch songs with a jazzy, soulful register should look for either or both of these albums.
On “New York Rendezvous,” vocalist Irene Atman has a voice comparable to Barbra Streisand’s. On this album she provides her interpretations of songs such as “Taking a Chance on Love,” “Alfie,” and “Time After Time.” “From Tony Bennett to Frank Sinatra, Doris Day to Peggy Lee, Irene practiced the breathing, the phrasing, the dynamics of all the greats, singing along with them from her bedroom and performing encore after encore until her family finally insisted that she call it a night,” notes Two for the Show Media. From these early childhood performances, she continued studying the various singing styles while incorporating her own signature style to her voice. She also found influence in horn sections while performing. “I began to emulate the sounds of the horns, their dynamics, their control,” Atman says. “I thought if a horn player can do this with a piece of metal, I could do this with my voice. But subtlety is what jazz is all about.” All of these dynamics in Irene Atman’s voice come into play with “New York Rendezvous.”
On “Purple Butterfly,” it is apparent that English is not the first language for Sicilian vocalist/pianist Daniela Schachter. Doesn’t matter though: She speaks the language of jazz from both her vocals and her keyboards. The accent adds a certain breathy sensuality to both her singing and her scat work. “Purple Butterfly” spotlights Schachter’s voice and piano but with strong reflection on her supporting musicians, especially trumpet and flugelhorn player Alex Sipiagin. This album feels like a discovered cabaret of torch songs on a cold night: An oasis for a melancholy soul.

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SPIDER-MAN #600

April 30th, 2009 · No Comments

By Dean Poling
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There are and have been numerous “Spider-Man” titles through the years, but it was “Amazing Spider-Man” that first gave Peter Parker and his web-slinging alter-ego his first regular monthly comic book. “Amazing Spider-Man” came after the memorable Spider-Man filler placed in the final issue of “Amazing Adult Fantasy.” Spider-Man was supposed to be a throwaway character. The only place creator Stan Lee could place this strange, new superhero was in that final issue of a dying comic book. Some throwaway? Now, more than 40 years later, dozens of titles, cartoons, merchandise, a daily comic strip, a television show, and blockbuster movies, the flagship of “Spider-Man” comics, “Amazing Spider-Man,” rushes upon its 600th issue. Happy Birthday, Spider-Man. It’s been an amazing ride.

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CHART TOPPERS 5.1.2009

April 30th, 2009 · No Comments

Billboard Top 20 Singles
1. “Boom Boom Pow,” The Black Eyed Peas. will.i.am/Interscope.
2. “Poker Face,” Lady GaGa. Streamline/KonLive/Cherrytree/Interscope.
3. “Right Round,” Flo Rida feat. Ke$ha. Poe Boy/Atlantic. (Platinum)
4. “The Climb,” Miley Cyrus. Walt Disney/Hollywood.
5. “Kiss Me Thru the Phone,” Soulja Boy Tell ‘Em feat. Sammie. ColliPark/Interscope.
6. “Day ‘n’ Nite,” Kid Cudi. Fool’s Gold/Universal Motown.
7. “Blame It,” Jamie Foxx feat. T-Pain. J/RMG.
8. “Dead and Gone,” T.I. feat. Justin Timberlake. Grand Hustle/Atlantic. (Platinum)
9. “We Made You,” Eminem. Web/Shady/Aftermath/Interscope.
10. “You Found Me,” The Fray. Epic. (Platinum)
11. “Gives You Hell,” The All-American Rejects. Doghouse/DGC/Interscope.
12. “Halo,” Beyonce. Music World/Columbia. (Gold)
13. “My Life Would Suck Without You,” Kelly Clarkson. RCA/RMG.
14. “Just Dance,” Lady GaGa feat. Colby O’Donis. (Platinum)
15. “Sugar,” Flo Rida feat. Wynter. Poe Boy/Atlantic.
16. “Love Story,” Taylor Swift. Big Machine/Universal Republic.
15. “Turnin Me On,” Keri Hilson feat. Lil Wayne. Mosley/Zone 4/Interscope.
16. “Love Sex Magic,” Ciara feat. Justin Timberlake. LaFace/JLG.
17. “Crazier,” Taylor Swift. Walt Disney.

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VIDEO HITS 5.1.2009

April 30th, 2009 · No Comments

Top Video Sales
1. “For Love of the Game,” Universal Studios Home Video.
2. “Cartoon Marathon, Vol. 1,” Vintage Home Entertainment.
3. “Notting Hill,” Universal Studios Home Video.
4. “Singles,” Warner Home Video.
5. “Home Tweet Home,” Warner Home Video.
6. “Sesame Street Presents: Follow That Bird,” Warner Home Video. (Gold)
7. “Billy Elliot,” Universal Studios Home Video.
8. “Mission: Impossible,” Paramount Home Entertainment.
9. “Bill Cosby’s Picture Pages,” Front Row Home Video.
10. “The American President,” Columbia TriStar Home Entertainment.

Top Video Rentals
1. “The Day the Earth Stood Still,” 20th Century Fox.
2. “Yes Man,” Warner Home Video.
3. “Marley & Me,” 20th Century Fox.
4. “Seven Pounds,” Sony Pictures Home Entertainment.
5. “Bedtime Stories,” Buena Vista Home Entertainment.
6. “Slumdog Millionaire,” 20th Century Fox.
7. “Doubt,” Buena Vista Home Entertainment.
8. “The Tale of Despereaux,” Universal Studios Home Video.
9. “Quantum of Solace,” 20th Century Fox.
10. “Twilight,” Summit Entertainment.

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